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        <title>Quomodo organice moduletur</title>
        <title type="abbrev">ANOQUOO</title>
        <author>Anonymous</author>
        <date notBefore="1100" notAfter="1199">12th</date>
      </titleStmt>
      <editionStmt>Thesaurus Musicarum Latinarum 
      <respStmt>
        <resp>E</resp>
        <persName>Mark Butler</persName>
      </respStmt>
      <respStmt>
        <resp>C</resp>
        <persName>Anastasia Arapova</persName>
      </respStmt>
      <respStmt>
        <resp>A</resp>
        <persName>Thomas J. Mathiesen</persName>
      </respStmt>
      <date>2001</date></editionStmt>
      <sourceDesc>
        <bibl type="edition">
Michael Bernhard, "Ein weiterer Text zur Klangschritt-Lehre," in 
<emph>Quellen und Studien zur Musiktheorie des Mittelalters</emph>, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 8 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1990), 68–70. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
</bibl>
        <bibl type="work">
          
<title>Anonymous: Tractatus de discantu: Quomodo organice moduletur</title>
          
<idno type="LML">DISC. Quicumque I</idno>
        
</bibl>
        <listWit>
          <witness>
            <idno type="RISM">A-Wn Cod. 787, 59v</idno>
          </witness>
          <witness>
            <idno type="RISM">D-W 334 Gud. Lat. 8°, 111v-112</idno>
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      <p id="ANOQUOO0001">
      <pb n="[68]" />Quomodo organice moduletur.</p>
      <p id="ANOQUOO0002">Quicumque organalem scientiam cupit attingere, scire debet quod omnis cantus in organis intra septem arceatur discrimina vocum. Et quanto vox maior est in elevatione, tanto minor est organice in depositione, et quanto minor est in elevatione, tanto maior est organice in depositione, et econtra quanto minor est in depositione, tanto erit organice maior in elevatione et quanto maior est in depositione tanto minor erit organice in elevatione.</p>
      <p id="ANOQUOO0003">Ideoque modi mutantur in modos id est maiores in minores et minores in maiores.</p>
      <p id="ANOQUOO0004">Verbi gratia:</p>
      <p id="ANOQUOO0005">Semitonium regulare erit organice diapente cum duobus tonis sive in depositione sive in elevatione.</p>
      <p id="ANOQUOO0006">Tonus regularis organice diapente cum semiditono erit.</p>
      <p id="ANOQUOO0007">Semiditonus regularis organice diapente cum tono.</p>
      <p id="ANOQUOO0008">Ditonus regularis organice diapente cum semitonio.</p>
      <p id="ANOQUOO0009">Diatessaron regulare organice diapente.</p>
      <p id="ANOQUOO0010">Diapente regulare organice diatessaron.</p>
      <p id="ANOQUOO0011">Diapente cum semitonio regulare organice ditonus.</p>
      <p id="ANOQUOO0012">Diapente cum tono regulare organice semiditonus.</p>
      <p id="ANOQUOO0013">Diapason vero semper mutatur in equisonum.</p>
      <p id="ANOQUOO0014">Et notandum, quod modos, quos regulariter rarius, ut diapente cum semitonio et diapente cum tono, vel numquam, sicut diapente cum semiditono vel ditono admittimus, organa sepe et dulcius frequentant. Haec secundum usum hominum et exteriores sensus (id est, prout videre et audire possumus) protuli.</p>
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